Prof. Dr. Enrique Mallen

EDUCATION

1986-1989
Cornell University
Ph.D., August 1989.
Honorary Master of Arts, May 1988.

1984-1986
University of North Carolina,
Chapel Hill
Master of Arts, August 1986.

1977-1982
Universidad de Sevilla (Spain)
Master of Arts, May 1982.
              

POSITIONS PUBLICATIONS PRESENTATIONS CITATIONS INSTITUTIONS

UNIVERSITY POSITIONS
  • Founder & Editor. Online Picasso Project. (1997-present)
  • Professor. Sam Houston State University (2007-present)
  • Adjunct Professor. Heinrich-Heine Universität, Düsseldorf (2013-2016)
  • Professor. Texas A&M University (2005-2007)
  • Associate Professor. Texas A&M University (1997-2005)
  • Assistant Professor. Texas A&M University (1995-1996)
  • Assistant Professor. University of Florida-Gainesville (1990-1995)
  • Assistant Professor. University of Hawai'i-Manoa (1989-1990)
  • Teaching Assistant. Cornell University (1986-1989)
  • Teaching Assistant. University of North Carolina-Chapel Hill (1984-1986)
PUBLICATIONS
    BOOKS
  • A Conceptual Concordance of Pablo Picasso's Writings. New York: Edwin Mellen Press. Forthcoming 2026.
  • Antología Crítica: Nueve poetas no novísimos. Madrid: Editorial Dilema. Forthcoming 2025.
  • Pablo Picasso: Fluctuant Identities (1900-1906). New York: Edwin Mellen Press. 2024. 429 pp.
    **Awarded the Adele Mellen Prize for Distinguished Contribution to Scholarship.
  • Eduardo Espina: Poesía del Deslenguaje. Madrid: Amargord Ediciones. 2024. 402 pp.
  • Pablo Picasso: A Period of Transformation (1906–1916). Liverpool: Liverpool University Press. 2023. 420 pp.
  • Pablo Picasso and Dora Maar: A Period of Conflict (1936–1946). Brighton: Sussex Academic Press. 2021. 364 pp.
  • Pablo Picasso: The Aphrodite Period (1924–1936). Brighton: Sussex Academic Press. 2020. 327 pp.
  • Pablo Picasso: The Interaction Between Collectors and Exhibitions, 1899–1939. Brighton: Sussex Academic Press. 2018. 350 pp.
    **Reviewed: Carlos Ferrer Barrera, in Bulletin of Spanish Visual Studies (Routledge). 2020.
  • Pablo Picasso: A Critical Chronology. São Paulo: Lumme Editor. 2017. 2 vols. 940 pp.
  • La Pulsión del Lenguaje: Diálogos y Poemas de José Kozer. São Paulo: Lumme Editor. 2015. 577 pp.
  • La Muerte y la Máscara en Pablo Picasso. Berkeley Insights in Linguistics & Semiotics Series. New York: Peter Lang. 2013. 238 pp.
  • A Concordance of Pablo Picasso's French Writings. New York: Edwin Mellen Press. 2010. 1,374 pp.
  • Antología Crítica de la Poesía del Lenguaje. Mexico, DF: Editorial Aldus. 2009. 378 pp.
    **Reviewed: José Luis Bobadilla, in Fraguas (Mexico). 2010.
    **Reviewed: Ana Franco Ortuño, in Periódico de Poesía (Universidad Nacional Autónoma de México). No. 46 / Febrero 2012.
    **Reviewed: Ana Franco Ortuño, in El Universal. Martes 04 de enero de 2011.
  • A Concordance of Pablo Picasso's Spanish Writings. New York: Edwin Mellen Press. 2009. 928 pp.
    **Awarded the Adele Mellen Prize for Distinguished Contribution to Scholarship.
  • Pablo Picasso: Trozo de Piel. Edición crítica. Instituto Municipal del Libro, Málaga. 2009.
  • Poesía del Lenguaje: De T. S. Eliot a Eduardo Espina. Mexico, DF.: Editorial Aldus. 2008. 400 pp.
    **Reviewed: Dr. Rogelio Guedea. University of Otago, New Zealand, in La Jornada (Mexico).
    **Reviewed: Justa: De Lector a Lector (Mexico). 11 de junio de 2009.
    **Reviewed: Ramón I. Martínez, in Revista Siempre (Mexico). Domingo, 07 de junio de 2009.
  • La Sintaxis de la Carne: Pablo Picasso y Marie-Thérèse Walter. Santiago de Chile: Red Internacional del Libro Editores. 2005. 498 pp.
    **Reviewed: Dr. José Cardona-López, Texas A&M International University, in Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis (University of California, Berkeley).
  • The Visual Grammar of Pablo Picasso. Berkeley Insights in Linguistics & Semiotics Series. New York: Peter Lang. 2003. 344 pp.
    **Reviewed: Dr. W. C. Watt, University of California-Irvine, in Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis (University of California, Berkeley).
    **Reviewed: Dr. José Sanjines, Coastal Carolina University, in Semiotica (University of Toronto).
  • Con/figuración Sintáctica: Poesía del Des/lenguaje. Santiago de Chile: Red Internacional del Libro Editores. 2002. 300 pp.
    **Reviewed: Dr. Rafael E. Saumell, Sam Houston State University, in Revista de Estudios Hispánicos (Washington University, Saint Louis).
    **Reviewed: Dr. Silvia Peart, Texas Tech University, in Chasqui - Revista de Literatura Latino Americana (Arizona State University).
  • Features & Interfaces. Ed. by Julia Herschensohn, Enrique Mallen & Karen Zagona. Amsterdam: John Benjamins. 2001. 302 pp.
    **Reviewed: Dr. Eric Mathieu, University College London, in Language (Journal of the Linguistic Society of America).
  • The Internal Structure of Determiner Phrases. Ithaca: DMLL Publications. Cornell University. 1992
    CHAPTERS
  • "Pablo Picasso and Dora Maar: Portraits of One[self]." Women as Creators & Subjects Across Disciplines & Cultures. Ed. by Debra D. Andrist. Tyne: Cambridge Scholars Publishing. Forthcoming 2024.
  • "Fernande Olivier’s Transformative Influence on Pablo Picasso." Women as Creators & Subjects Across Disciplines & Cultures. Ed. by Debra D. Andrist. Tyne: Cambridge Scholars Publishing. Forthcoming 2024.
  • "Picasso’s Feminine Other: Olga, Marie-Thérèse & Dora." By & About Women. pp. 90-127. Ed. by Debra D. Andrist. Tyne: Cambridge Scholars Publishing. 2024.
  • "Magic and the Menace of Death in Pablo Picasso." Rites, Rituals & Religions: Amerindian, Spanish, Latin American & Latino Worlds. pp. 33-69. Ed. by Debra D. Andrist. Liverpool: Liverpool University Press. 2023.
  • "Pablo Picasso's Poetry and the Limits of Language." Proceedings of the 5th International Conference On Evolving Trends In Interdisciplinary Research & Practices. pp. 1-6. Ed. by Enrique Mallen. New York: Liberty Publications. 2021.
  • "Early Cinema, Transgression and Heterogeneity in Picasso's Cubism." Mucho más que cine: historia, literatura y arte en el cine en español y en portugués.. pp. 947-960. Ed. by María Marcos Ramos. Madrid: Editorial Dykinson, S.L. 2021.
  • "What’s Cooking With Picasso: Conjuring Up Food in the First Year of Occupation". Food & Drink in Hispanic Worlds. pp. 198-211. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2021.
  • "The Devouring Eye (I) of Pablo Picasso". Food & Drink in Hispanic Worlds. pp. 212-234. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2021.
  • "Conflict and Confrontation in Pablo Picasso’s Still Lifes". Proceedings of the 2nd Interdisciplinary and Virtual Conference on Arts in Education (CIVAE). pp. 365-368. Ed. by Vv.Aa. Madrid: MusicoGuia. 2020.
  • "Death as Impetus for Art for Pablo Picasso" (reprint). Death & Dying in Hispanic Worlds. pp. 114-136. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2020.
  • "The Liminal Syntax and Semantics of Picasso’s Poetry". Death & Dying in Hispanic Worlds. pp. 137-189. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2020.
  • "Conflation of Artistic Practices and Verbal Features in Pablo Picasso." Interface-Driven Phenomena in Spanish: Essays in Honor of Javier Gutiérrez-Rexach. Chapter 5. pp. 111-130. Ed. by Sandro Sessarego & Melvin González Rivera. New York: Routledge. 2020.
  • "Representation of the Absent Object: Pictorial Mysticism in El Greco and Pablo Picasso." Crossroads: Time & Space/Tradition & Modernity in Hispanic Worlds. pp. 71-86. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2019.
  • "Pablo Picasso’s Semantically Complex Visual Poetry." With Luis Meneses. Crossroads: Time & Space/Tradition & Modernity in Hispanic Worlds. pp. 127-161. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2019.
  • "Creation vs. Infertility in Picasso’s Failed Marital Relationship." Family, Friends and Foes: Human Dynamics in Hispanic Worlds. pp. 4-29. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2018.
  • "Writing as Verbal and Graphic Signs in Pablo Picasso." Investigación en la Enseñanza de la Escritura / Research on Writing Teaching (IEE). pp. 181-188. Ed. by Rosario Arroyo González, Mariano G. Fernández Almenara, Christina Holgado-Sáez, Teresa Lara Moreno. Madrid: Editorial Octaedro. 2018.
  • "La Poesía Multilineal de Pablo Picasso." Lenguaje, Poesía y Sentido. Currents in Comparative Romance Languages and Literatures (Volume 251). pp. 31-54. Ed. by Melvin Gonzalez Rivera, Yarelmi Iglesias Vázquez, Javier Gutierrez-Rexach. New York: Peter Lang. 2018.
  • "Con/figuración Sintáctica y Niveles de Significación en Pablo Picasso y Eduardo Espina." Lenguaje, Poesía y Sentido. Currents in Comparative Romance Languages and Literatures (Volume 251). pp. 5-22. Ed. by Melvin Gonzalez Rivera, Yarelmi Iglesias Vázquez, Javier Gutierrez-Rexach. Peter Lang. 2018.
  • "Conflation of (Gender) Identities in the Multifaceted Pablo Picasso." S/He: Sex & Gender in Hispanic Cultures. pp. 222-245. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2017.
  • "Confrontation with the Other in Pablo Picasso’s Suite Vollard." Insult to Injury: Violence In Spanish, Hispanic American & Latino Art & Literature. pp. 4-21. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2017.
  • "La Lingüística y el Lenguaje Poético." Enciclopedia de lingüística hispánica. pp. 247-256. Ed. by Javier Gutiérrez Rexach. London: Routledge. 2016.
  • "Pablo Picasso: From Physical To Mental Dissection of the Human Body." The Body: Subject, Subjected. pp. 13-54. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2016.
  • "Seeing With Eyes Shut: Representations of Blindness in Pablo Picasso." The Body: Subject, Subjected. pp. 95-112. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2016.
  • "Death and the Mask in Pablo Picasso." The Body: Subject, Subjected. pp. 196-218. Ed. by Debra D. Andrist. Brighton: Sussex Academic Press. 2016.
  • "Expressionism." 1914-1918-Online. International Encyclopedia of the First World War. Ed. by Oliver Janz & Nicolas Apostolopoulos. Berlin: Freie Universität, Berlin. 2015.
  • "Pablo Picasso and the Truth of Greek Art." 7th Annual International Conference on Mediterranean Studies Proceedings. Ed. by Gregory A. Katsas. Athens: ATINER Conference Paper Series, No: MDT2014-1040. 2014.
  • "The Challenge of Language." Poetics in a New Key: Interviews and Essays by Marjorie Perloff. pp. 145-156. Ed. by David Jonathan Bayot. Manila: De La Salle University Press. 2013.
  • "La Poesía Simpatética de Pablo Picasso." Picasso-Poesie-Poetik (Picasso, his Poetry and Poetics). pp. 105-140. Ed. by Nanette Rißler-Pipka & Gerhard Wild. Aachen: Shaker Verlag, 2012.
  • "Prólogo." Entender a Picasso. Ana Isabel Bernal Triviño. Universidad de Málaga. 2012.
  • "Don Quixotte vu Par Pablo Picasso: Visual Syntax in the Iconography of Don Quixote." Biblioteca Cervantina. pp. 1-14. Madrid: Editorial Maribel. 2005
  • "The Embodiment of the Pictorial Sign: Pablo Picasso’s Early Cubism." Körper - Verkörperung - Entkörperung. pp. 445-460. Ed. by Winfried Nöth & Guido Ipsen. Kassel: Deutsche Forschungsgemeinschaft. 2004.
  • "A Dynamic Picasso’s Catalogue: The Online Picasso Project Experience." With Carlos Monroy and Richard Furuta. Document Engineering’04. pp. 1-7. Milwaukee, Wisconsin, USA. October 28–30, 2004.
  • "Matt Lamb and the Carnevale Masks of Venice." Matt Lamb and the Carnevale Masks of Venice. pp. 17-31. Ed. by Enrique Mallen. Tünsdorf: Smkt University Press, 2004.
  • "La Distensión del Yo en Matt Lamb, Joan Miró y Pablo Picasso." Lamb Encounters Miró: Centre Miró de Sant-roig . pp. 1-7. Ed. by Dominicus Rohde. Tünsdorf: Smkt University Press, 2004.
  • "De la Crisis al Climax: Pablo Picasso & Matt Lamb / From Crisis to Climax: Pablo Picasso & Matt Lamb / Von Krise zu Klimax: Pablo Picasso & Matt Lamb." Lamb Encounters Picasso: Centre Picasso d'Orta. pp. 34-53. Ed. by Dominicus Rohde. Tünsdorf: Smkt University Press, 2003.
  • "Texts, Images, Knowledge: Visualizing Cervantes and Picasso." With Carlos Monroy, Richard Furuta and Eduardo Urbina. Proceedings of Visual Knowledges Conference. pp. 1-8. University of Edinburgh, Scotland. September 2003.
  • "Creating, Visualizing, Analyzing & Comparing Series of Artworks." With Carlos Monroy and Richard Furuta. Selected Proceedings from the Third ACM+IEEE Joint Conference on Digital Libraries. pp. 1-6. Rice University. May, 2003.
  • "Picasso Timeline. Selections from the Online Picasso Project." In Picasso: Magic Sex Death. With John Richardson. Richmond Hill, Ontario: BFS Entertainment and Multimedia Limited, 2003. 754 pp.
  • "Expletive Definites in Relative Clauses." With Javier Guitierrez-Rexach. Development in Hispanic Languages: Papers from the V Hispanic Linguistics Symposium and the IV Conference on the Acquisition of Spanish and Portuguese. pp. 96-112. Ed. by Silvina Montrul and Francisco Ordóñez. Somerville, MA: Cascadilla Press. 2003.
  • "Attributive Adjectives in Germanic & Romance." Issues in Formal German(ic) Typology. pp. 193-222. Ed. by Werner Abraham & C. Jan-Wouter Zwart. Amsterdam: John Benjamins. 2002.
  • "On the Distribution of Restrictive vs. Nonrestrictive Adjectives in Germanic & Romance." New Insights in Germanic III. pp. 177-210. Ed. by Irmengard Rauch & Gerald F. Carr. New York: Peter Lang. 2002.
  • "Toward a Unified Analysis of Prenominal Adjectives." With Javier Guitierrez-Rexach. Structure, Meaning, and Acquisition in Spanish:Papers from the IV Hispanic Linguistics Symposium. pp. 178-192. Edited by James F. Lee, Kimberly L. Geeslin, and J. Clancy Clements. Somerville, MA: Cascadilla Press. 2002.
  • "NP Movement & Adjective Positions in the DP Phases." With Javier Guitierrez-Rexach. Features & Interfaces. pp. 107-132. Ed. by Julia Herschensohn, Enrique Mallen & Karen Zagona. Amsterdam: John Benjamins. 2001.
  • "Issues in the Syntax of DP in Romance & Germanic." Current Issues in Spanish Syntax & Semantics. pp. 39-63. Ed. by Javier Gutierrez-Rexach & Luis Silva-Villar. Berlin: Mouton de Gruyter. 2001.
  • "A Minimalist Perspective On Wackernagel's Law." New Approaches to Old Problems: Issues in Romance Historical Linguistics. pp. 199-215. Ed. by Steven Dworkin. Amsterdam: John Benjamins. 2001.
  • "Adjectival Noun Modifiers in French, Spanish & German." Hispanic Linguistics at the Turn of the Millennium. pp. 381-399. Ed. by Héctor Campos, Elena Herburger, Alfonso Morales & Thomas Walsh. Somerville, MA: Cascadilla Press. 2000.
  • "Possessive Dative Constructions & Predicate Inversion in Spanish." Advances in Hispanic Linguistics. pp. 447-468. Ed. Fernando Martínez-Gil & Javier Gutierrez-Rexach. Somerville, MA: Cascadilla Press. 1999.
  • "Binding Conditions on Case Morphology in Noun Phrases." Interdigitations:Essays for Irmengard Rauch. pp. 345-354. Ed. by Gerald F. Carr, Wayne Harbert, & Lihua Zhang. New York: Peter Lang. 1999.
  • "Nominal Genitive Arguments & Adjective Placement in German." New Insights in Germanic Linguistics I. pp. 155-180. Ed. by Irmengard Rauch & Gerald Carr. New York: Peter Lang. 1999.
  • "Noun Phrase Structure in German & Spanish." Perspectives on Spanish Linguistics II. pp. 75-97. Ed. by Javier Gutierrez-Rexach & Luis Silva-Villar. Columbus/Los Angeles: Ohio State University / University of California, Los Angeles. 1998.
  • "Agreement & Case Matching in Noun Phrases in German." German: Syntactic Problems - Problematic Syntax. pp. 191-230. Ed by Werner Abraham & Elly van Gelderen. Amsterdam: John Benjamins. 1998.
  • "Condition on Feature Specification & Negative Lexicalization in Spanish." Romance Linguistics: Theoretical Perspectives. pp. 171-181. Ed. by Armin Schwegler, Bernard Tranel & Myriam Uribe-Etxebarria. Amsterdam: John Benjamins. 1998.
  • "Constraints on the Prenominal Sphere in Germanic." West Coast Conference on Formal Linguistics Proceedings. pp. 287-302. Ed. by Emily Curtis, James Lyle & Gabriel Webster. Stanford: Stanford University. 1998.
  • "Full Feature Specification & Negative Lexicalization in Spanish." Groninger Arbeiten zur Germanistischen Linguistik. 40. pp. 209-227. Groningen: GU. 1997.
  • "Agreement & Null Subjects in Germanic & Romance." Insights in Germanic Linguistics II. pp. 155-174. Ed. by Irmengard Rauch & Gerald Carr. Berlin: Mouton de Gruyter. 1996.
  • "Attributive & Predicative Adjective Agreement as Null Pronominal Identification in Germanic & Romance." Grammatical Theory & Romance Languages. pp. 169-181. ed by Karen Zagona. Amsterdam: John Benjamins. 1996.
  • "Estudio Comparativo de la Frase Nominal." Vitalidad e influencia de las lenguas indígenas en Latinoamérica. II Coloquio Mauricio Swadesh. pp. 257-265. Ed. by Arzápalo Marín, Ramón & Yolanda Lastra de Suárez. Mexico: Instituto de Investigaciones Antropológicas, UNAM. 1995
  • "Blocking Effects of A-Spec,TP in German & Spanish." Issues & Theory in Romance Linguistics. pp. 367-383. Ed. by Michael Mazzola. Washington, D.C.: Georgetown University Press. 1994.
    ARTICLES
  • "Neobarroco, Poesía del lenguaje y ensimismamiento verbal." Poesía y poéticas iberoamericanas, siglos XX y XXI. Revista Iberoamericana. Forthcoming 2024.
  • "Pablo Picasso’s Work in the Early Days of the German Occupation." Advances in Historical Studies. Vol. 13, No. 4 Forthcoming 2024.
  • "From Convention to Contention: La famille de saltimbanques vs. Les demoiselles d’Avignon." Advances in Humanities Research. Vol. 9, pp. 18-29. https://doi.org/10.54254/2753-7080/9/2024047. 2024.
  • "Mercure (1924), decor and costumes by Pablo Picasso." Art & Museum Magazine. Spring Issue. pp. 24-26. 2024.
  • "Pablo Picasso: In Search of Language." International Journal of Culture and History. Vol. 11, No. 1. pp. 17-59. DOI: https://doi.org / 10.5296 / ijch.v11i1.21701. Macrothink Institute. 2024.
  • "Compositionality in Pablo Picasso’s Poetry." Advances in Humanities Research. Vol. 3: pp. 1-20. DOI: DOI: https://doi.org / 10.54254/2753-7080 / 3 / 2023015. EWA Publishing. 2023.
  • "Fernande Olivier and Pablo Picasso’s Advance Towards Cubism." Revista Eviterna. (13), pp. 146-160. DOI: https://doi.org / 10.24310 / re.14.2023.16641. Universidad de Málaga (Spain). 2023
  • "Femme à la montre." Art & Museum Magazine. Autumn Issue. pp. 22-23. 2023.
  • "Exploring Correlations Between Picasso Artworks and his Personal Contacts." With Luis Meneses. Arts & Communication. Volume 1, No. 1. pp. 1-14. DOI: https://doi.org/10.36922/ac.1004. ACC Science Publishing. 2023.
  • "The Picassos in the 1901 Vollard Exhibition and their History." Arts. No. 12, 78. pp. 1-36. DOI: https://doi.org / 10.3390 / arts12020078. MDPI. 2023.
  • "'Picasso: Recent Work' — A One-Hundred-Year Anniversary." Art & Museum Magazine. Spring Issue. pp. 24-26. 2023.
  • "Second Stage of Visual Perception and Picasso's Cézannian Cubism." International Journal of Culture and History. Vol. 10, No. 1, pp. 87-105. DOI: https://doi.org / 10.5296 / ijch.v10i1.20779. Macrothink Institute. 2023.
  • "Pablo Picasso One Hundred Years Ago." Art & Museum Magazine. Autumn Issue. pp. 20-23. 2022.
  • "Pablo Picasso and the Art of Self-Defense." Art & Museum Magazine. Spring Issue. pp. 46-47. 2022.
  • "The Embodiment of Artistic Objects in Pablo Picasso's Cubism." Arts, No. 11, 32. pp. 1-54. DOI: https://doi.org / 10.3390 / arts11010032. MDPI. 2022.
  • "The Impact of Cézanne in Early Cubism." International Journal of Culture and History. Vol. 9, No. 1. pp. 41-59. DOI: https://doi.org / 10.5296/ijch.v9i1.19195. Macrothink Institute. 2022.
  • "Teaching Spanish Culture Online: Strategies and Solutions for Active Learning." Journal of Universality of Global Education Issues. Vol. 8 No. 1. pp. 1-28. 2021.
  • "The Collage Verre and Its Surrealist Connection" Art & Museum Magazine. Summer Issue. pp. 56-57. 2021.
  • "Pablo Picasso: A Window Onto the Trauma of War". Art & Museum Magazine. Winter Issue. pp. 56-57. 2020.
  • "Picasso: Early Reactions to the Spanish Civil War." Art & Museum Magazine. Autumn Issue. pp. 46-47. 2020.
  • "La Trilogía Deslenguaje de Eduardo Espina." Revista Simpson 7. No. 4. pp. 87-91. Santiago de Chile: Crann Editores. 2020.
  • "Con/figuración neobarroca y Poesía del lenguaje." Revista Simpson 7. No. 4. pp. 103-109. Santiago de Chile: Crann Editores. 2020.
  • "La poesía de Pablo Picasso: Un Lenguaje al Borde de lo Indecible." Otro Lunes: Revista Hispanoamericana de Cultura No. 55. Año 14. 2020.
  • "Adjoined Conceptual Domains in the Bilingual Poetry of Pablo Picasso." With Luis Meneses. Digital Studies / Le champ numérique. No. 9(1):20, pp. 1-23. DOI: https://doi.org / 10.16995 / dscn.320. Ottawa: University of Ottawa. 2019.
  • "Dora Maar: Prelude to a Formidable Encounter" Part 2. Art & Museum Magazine. Winter Issue. pp. 40-44. 2019.
  • "Dora Maar: Prelude to a Formidable Encounter" Part 1. Art & Museum Magazine. Autumn Issue. pp. 10-13. 2019.
  • "Visual Text: Encoding Challenges in Picasso’s Poetry." With Luis Meneses. Journal of Fine Arts. pp. 31-37. Volume 2, Issue 2. 2019.
  • "El artista que abre la mente". Interview by Eduardo Espina. El Observador. 1 de junio, 2019.
  • "The Online Picasso Project." Art & Museum Magazine. Spring Issue. pp. 30-32. 2019 [Reprinted in Spring Issue 2020].
  • "Semantic Domains in Picasso's Poetry." With Luis Meneses. Digital Scholarship in the Humanities. DOI: https://doi.org / 10.1093 / llc / fqy078. Oxford: Oxford University. 2018.
  • "Parataxis and Interface Rules in Pablo Picasso’s Poetry." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 23.1. pp. 73-111. Spring. Berkeley: University of California, Berkeley. 2018.
  • "A Computational Approach to Picasso’s Conceptual World Through His Writings." Revista Académica liLETRAd. No. 4. pp. 247-258. Sevilla: Universidad de Sevilla. 2018.
  • "Reconstructing Picasso: Strokes of Genius." National Geographic. No. 05. pp. 120-122. 2018.
  • "Object Lessons: Frames of Mind." National Geographic. No. 05. pp. 123-125. 2018.
  • "Reaching for Success: Picasso’s Rise in the Market (The First Two Decades)." Arts. No. 6, 4. pp. 1-20. DOI: https://doi.org / 10.3390 / arts60200042017. MDPI. 2017.
  • "From Jackendoff's Linear Grammar to Picasso's Multilinear Language." Revista Académica liLETRAd, Vol. 1, No. 2. pp. 527-546. Sevilla: Universidad de Sevilla. 2016.
  • "The Colors of Dora Maar: Pablo Picasso and Ancient Aztec Myths." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 21.2. pp. 213-242. Fall. Berkeley: University of California, Berkeley. 2016.
  • "En Busca del Yo en el Otro: Lenguaje e Identidad en la Poesía de Eduardo Espina." Otro Lunes: Revista Hispanoamericana de Cultura. No. 40. Año 10. Marzo, 2016
  • "Picasso the ... sculptor? Disputed purchase brings attention to lesser-known aspect of his art." The Conversation. January 19, 2016.
  • "The Fichtean Anstoß and Pablo Picasso's Poetry." Revista Académica liLETRAd, No. 1. pp. 251-261. Sevilla: Universidad de Sevilla. 2015.
  • "The Myth of Narcissus: Themes of Life and Death in Pablo Picasso and Salvador Dalí." Avant-Garde Studies. Issue 1, Fall. The Dalí Museum in St. Petersburg. 2015.
  • "El Cubismo Analítico y el Orden Simbólico." Otro Lunes: Revista Hispanoamericana de Cultura. No. 38. Año 9. Octubre, 2015
  • "Picasso, Le Génie de la Célébrité." The Conversation. September 23, 2015.
  • "La Naturaleza Primigenia en los Dibujos de Francisco do Santos 'O Golpe do anti-ceifo'." Polichinello: Revista literária, No. 15. 22 Agosto, 2015.
  • "Diego Velázquez, Pablo Picasso and the Affirmation of the Artist." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 20.1. pp. 57-79. Spring. Berkeley: University of California, Berkeley. 2015.
  • "Paul Cézanne y Pablo Picasso: La Proyección del Deseo sobre el Objeto." Otro Lunes: Revista Hispanoamericana de Cultura. No. 36. Año 9. March, 2015.
  • "For Sale: Grandpa Picasso's Pictures." Newsweek. March 7, 2015.
  • "Running the Numbers on the Impending Sale of Marina Picasso’s ‘Inheritance Without Love'." The Conversation. March 2, 2015.
  • "The Great Picasso sell-off: Heir to 10,000 Works Ready to Offload Grandfather’s Art". Interview by Mark Brown. The Guardian. February 6, 2015.
  • "Picasso’s Granddaughter Plans to Sell Art, Worrying the Market". Interview by Doreen Carvajal. The New York Times. February 4, 2015.
  • La Naturaleza Paradójica de la Realidad en Pablo Picasso. Otro Lunes: Revista Hispanoamericana de Cultura No. 35. Año 9. January, 2015.
  • "Pablo Picasso and the Truth of Greek Art." Athens Journal of Humanities and Arts. Vol. 1, No. 4. pp. 283-298. October, 2014.
  • "De los Saltimbanquis a las Máscaras Ibéricas en Pablo Picasso." Otro Lunes: Revista Hispanoamericana de Cultura. No. 34. Año 8. October, 2014.
  • "Los Inicios Parisinos de Pablo Picasso." Otro Lunes: Revista Hispanoamericana de Cultura No. 33. Año 8. June, 2014.
  • "Fluctuación Estilística en Pablo Picasso." Otro Lunes: Revista Hispanoamericana de Cultura No. 32. Año 8. April, 2014.
  • "La Vida (y la Muerte) en Pablo Picasso." Otro Lunes: Revista Hispanoamericana de Cultura No. 31. Año 8. Febrero, 2014.
  • "Authenticating Picasso." Interview by George Stolz. Artnews. January 2, 2013.
  • "Why Larry Ellison Calls Steve Jobs Another Picasso And What It Teaches Us About Creativity". Interview by Carmine Gallo. Forbes Magazine. September 16, 2013.
  • "An Interview With Alison de Lima Green, Curator, and Enrique Mallén, Founder of the Picasso Project". Interview by Debra D. Andrist. Revista Literal. No. 32. Spring, 2013.
  • "Cuestionario de Enrique Mallén: Respuestas de José Kozer." Casa de las Iguanas: Revista Virtual de Cultura y Poesía. February, 2013.
  • "El 'Neobarroco' Latinoamericano y la “Poesía del Lenguaje” Estadounidense." Revista de Critica Literaria Latinoamericana. Neobarroco y otras especies. No. 76. pp. 51-80. 2013.
  • "Sympathetic Poetry in Pablo Picasso." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 17.2. Fall. pp. 1-45. Berkeley: University of California, Berkeley. 2012.
  • "Computational Approaches to a Catalogue Raisonné of Pablo Picasso." With Luis Meneses, Carlos Monroy and Richard Furuta. Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. Volume 16,1. pp. 19-46. Spring. Berkeley: University of California, Berkeley. 2011.
  • "Poetry of the Americas: Interview with Charles Bernstein." S/N: NewWorldPoetics. V. 1, N. 3. pp. 34-57. May, 2011.
  • "Magia y Superstición de Pablo Picasso." Otro Lunes: Revista Hispanoamericana de Cultura No. 14, Año 4. September, 2010.
  • "Aún Hay Bastantes Picassos Ocultos en Colecciones Privadas". Interview by Santiago Romero. La Opinión de Málaga. December 7, 2010.
  • "Quedan aún obras de Picasso ocultas en colecciones privadas". Interview by Santiago Romero. La Opinión de A Coruña. December 5, 2010.
  • "Poetry of the Americas: Interview with Marjorie Perloff." S/N: NewWorldPoetics. pp. 26-41. 5/15/2010.
  • "The Multilineal Poetry of Pablo Picasso." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis No. 14.2. pp. 163-202. Spring, 2009
  • "Review of Samuel David Epstein and T. Daniel Seely." 2006. Derivations in Minimalism. Cambridge, MA: Cambridge University Press. Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. Volume 14.1. Spring. Berkeley: University of California, Berkeley. 2009.
  • "Picasso se Desnudaba Escribiendo". Interview by Joseba Elola. El Pais. June 1, 2008.
  • "Representational Modularity, Synthetic Cubism & Language Poetry." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 12.1. pp. 97-134. Spring. Berkeley: University of California, Berkeley. 2007.
  • "Cómo Sería Pablo Picasso Hoy ..." Diario Sur. October 25, 2006.
  • "Pablo Picasso, Paul Cézanne y La Montaña." Centre Picasso d’Orta (Spain). pp. 1-5. 2005.
  • "Eduardo Espina: La imparcialidad de la sintaxis." Tse-Tse. No. 11. pp. 70-75. 2005
  • "Metaphor & Cognition in Pablo Picasso's Synthetic Cubism." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 9.1. pp. 101-128. Spring. Berkeley: University of California, Berkeley. 2004.
  • "A Minimalist Approach to Picasso’s Visual Grammar: Les demoiselles d’Avignon." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 8.1 pp. 1-21. Berkeley: University of California, Berkeley. 2003.
  • "La Otredad del Yo en Eduardo Espina." Códice-Revista de Poéticas. El Paso: University of Texas-El Paso. pp. 1-7. 2003.
  • "Entrevista con Enrique Mallen, estudioso de Picasso y director del Online Picasso Project". Interview by Luis Guerrero. La Opinión de Málaga. January 28, 2002.
  • "Conciencia Poética y Lenguaje en la Obra de Eduardo Espina." Revista de Estudios Hispánicos. No. 34. pp. 165-187. St. Louis: Washington University-St. Louis. 2000.
  • "Null Expletives, Complementizers & Wackernagel's Law." Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 5.2. pp. 213-219. 2000.
  • "Percepción Artística y Experiencia Consciente." Colombre: Revista de Arte y Literatura. No. 4-5. March-April, 1999, pp. 48-51. Xalapa: Veracruz, Mexico. 1999.
  • "Cliticization in Old Spanish & Wackernagel's Law." Theoretical Linguistics. Berlin: Walter de Gruyter. No. 25.1 pp. 1-14. 1999.
  • "Review of Nikolaus P. Himmelmann. 1997. Deiktikon, Artikel, Nominalphrase: Zur Emergenz syntaktischer Struktur." Tübingen: Niemeyer. Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. Volume 4.2. Fall. pp. 307-332. Berkeley: University of California, Berkeley. 1999.
  • "Review of Sten Vikner. 1995. Verb Movement & Expletive Subjects in the Germanic Languages." New York: Oxford University Press. Studies in Language. No. 22.1, pp. 227-239. Amsterdam: John Benjamins. 1998.
  • "Victor Vasarely: Creador de Ilusiones Ópticas." El Observador Cultural 11/8/97. pp. 1-7. Montevideo: Uruguay. 1997
  • "A Minimalist Approach to Concord in Noun Phrases." Theoretical Linguistics. No. 23. 1/2. pp. 49-77. Berlin: Walter de Gruyter. 1997.
  • "Licensing Null Subjects in Germanic & Romance." Acta Linguistica Hafniensia, No. 28, pp. 65-101. Copenhagen: Reitzel. 1996.
  • "Review of Robert Bloomer. 1994. System-Congruity & the Participles of Modern German & Modern English: A Study in Natural Morphology." Hamburg: Helmut Buske Verlag GmbH. Interdisciplinary Journal for Germanic Linguistics & Semiotic Analysis. No. 1.2. Fall. pp. 343-351. Berkeley: University of California, Berkeley. 1996.
  • "The Role of Agreement in Spanish, Icelandic & German." Linguistische Berichte No. 157, pp. 216-236. Bochum: Westdeutsche Verlag GmbH. 1995.
  • "Review of Christiane Laeufer & Terrell A. Morgan. 1992. Theoretical Analyses in Romance Linguistics." Amsterdam: John Benjamins. Studies in Language No. 19.1, pp. 246-256. Amsterdam: John Benjamins. 1995.
  • "Inflection & Proper Government in German & Spanish." Theoretical Linguistics. pp. 223-274. Berlin: Walter de Gruyter. 1994.
  • "Verb Movement in Spanish & the Licensing Condition on Variables." Linguistische Berichte No. 148, pp. 445-476. Bochum: Westdeutsche Verlag GmbH. 1993.
  • "Secondary Predicates & Lexical Identification." Studia Linguistica No. 46.1, pp. 1-29. Lund: CWK Gleerup. 1992.
  • "Subject Topicalization & Inflection in Spanish." Theoretical Linguistics No. 18.2/3, pp. 179-208. Berlin: Walter de Gruyter. 1992.
  • "Binding Relations in Noun Phrases in Spanish." Acta Linguistica Hafniensia No. 24, pp. 109-129. Copenhagen: Reitzel. 1992.
  • "Review of Howard Lasnik. 1990. Essays on Restrictiveness & Learnability." Dordrecht: Kluwer. Studia Linguistica No. 45, pp. 81-90. Lund: CWK Gleerup. 1992.
  • "A Syntactic Analysis of Secondary Predication in Spanish." Journal of Linguistics No. 27.2, pp. 375-403. Manchester: Cambridge University Press. 1991.
  • "Noun Phrase Structure, Clitic-Doubling & Extraction." Linguistishe Berichte No. 134, pp. 276-309. Bochum: Westdeutsche Verlag GmbH. 1991.
  • "Genitive Clitics & Nominal INFL." Canadian Journal of Linguistics No. 35.3, pp. 237-263. Ottawa: Carleton University. 1991.
  • "Review of Karen Zagona. 1988. Verb Phrase Syntax." Dordrecht: Kluwer. Studia Linguistica No. 44.2, pp. 37-42. Lund: CWK Gleerup. 1991.
  • "Partitive Constructions." Hispanic Linguistics No. 4.2, pp. 1-41. Minneapolis: Prisma Institute. 1990.
  • "Clitic Movement Inside Noun Phrases." Studia Linguistica No. 44.1, pp. 1-29. Lund: CWK Gleerup. 1990.
  • "Partitive Constructions in Spanish." Revue Romaine de Linguistique. Jan-Feb. No. 35.1, pp. 33-52. Bucarest: Redaction. 1990.

PRESENTATIONS
  • "Pablo Picasso and Ancient Iberian Art: A Quest for His Artistic Roots." 67th Annual Conference of the World Social Science Association. Seattle. Forthcoming April, 2025.
  • "A Conceptual Concordance of Pablo Picasso's Writings." XXXVII Congreso Internacional de Literatura y Estudios Hispánicos. October, 2024.
  • "The Online Picasso Project and Interdisciplinary Learning." Digital Education Summit 24. Sam Houston State University. September, 2024.
  • "A Reading of Picasso's Poetry From A Translator's Perspective". 66th Annual Conference of the World Social Science Association. San Antonio. April, 2024.
  • "Surplus Problem Bodies: Age & Disability in Pablo Picasso." 55th Northeast Modern Language Association Convention. Boston. March, 2024.
  • "Picasso's Early Reactions to the Spanish Civil War." 55th Northeast Modern Language Association Convention. Boston. March, 2024.
  • “Picasso's Poetry: A ‘Choral Rendering’” 9th International Conference On Evolving Trends In Interdisciplinary Research & Practices. New York City. October, 2023.
  • "A Cross-Disciplinary Approach to Picasso's Bilingual Poetry." 4th International Conference on Educational Innovation and Philosophical Inquiries (ICEIPI 2023). Eliwise Academy, Oxford (UK). August, 2023.
  • "El Online Picasso Project: un proyecto de humanidades digitales multidisciplinario." III Congreso Internacional: Innovación y Tendencias Educativas. Universidad de Sevilla (Spain). July, 2023.
  • "Language Development Issues, Intercultural Competence and Critical Thinking." International Conference on Social Psychology and Humanity Studies (CSPHS 2023). Eliwise Academy, Oxford (UK). April, 2023.
  • "The Online Picasso Project, Digital Media and the Public Sphere." 25th Southeast Conference for Languages, Literatures, and Film (SCFLLF). Western Carolina University, Asheville, NC. March, 2023.
  • "Negotiating Loss: The Case of Pablo Picasso’s Immigration." 19th Annual Diversity Leadership Conference. Sam Houston State University. February, 2023.
  • "Picasso's Liminal Minotaur: Beyond the Binary." Southern Humanities Conference, “Myths and Mythmaking.” San Antonio, TX. January, 2023.
  • "The Online Picasso Project: Multilingual and Multidisciplinary Digital Humanities." International Conference of Interdisciplinary Humanities and Communication Studies (ICIHCS 2022). Eliwise Academy, Stanford, CA. December, 2022.
  • "Categorizations of Multiple-Perspective Biographical Narratives." With Luis Meneses. "Reading Minds: Artificial Intelligence, Neural Networks and the Reading Human." Society for Literature, Science, and the Arts (SLSA). Purdue University. October, 2022.
  • "The Online Picasso Project: 25 Years Implementing Digital Learning on Spanish Art and Culture." Digital Education Summit 22. Sam Houston State University. September, 2022.
  • "Pablo Picasso: Juggling with 'Languages'." SHSU Teaching & Learning Conference 2022. Sam Houston State University. August, 2022.
  • "Exploring the Correlations Between Picasso's Artworks and his Personal Contacts." With Luis Meneses. Digital Humanities 2022. Alliance of Digital Humanities Organizations (ADHO), Toshi Center Hotel, Tokyo (Japan). July, 2022.
  • "El Online Picasso Project como Plataforma de Investigación." Arte y Patrimonio. Facultad de Bellas Artes. Universidad de Sevilla (Spain). June, 2022.
  • "Lessons from Picasso's Multidisciplinary Approach." 6th International Conference On Evolving Trends In Interdisciplinary Research & Practices. New York City. April, 2022.
  • "Les demoiselles d'Avignon: Ushering In Picasso’s 'Exorcist' Phase." 64th Annual Western Social Science Association. Denver. March, 2022.
  • "Picasso's Bilingual Poetry as a Gate to Multiculturalism." 9th Universality of Global Education Conference. Sam Houston State University. March, 2022.
  • "The Online Picasso Project: Visual Cultures and the Internet." (Keynote). 5th International Conference On Evolving Trends In Interdisciplinary Research & Practices. New York City. October, 2021.
  • "Pablo Picasso's Poetry and the Limits of Language." 5th International Conference On Evolving Trends In Interdisciplinary Research & Practices. New York City. October, 2021.
  • "The Epistemology of the Online Picasso Project (OPP) Digital Platform." Digital Education Summit 21. Sam Houston State University. September, 2021.
  • "The Language-Centered Poetics of Pablo Picasso." International Conference on Poetry Studies: “Poetry Between Creation and Interpretation." London Centre for Interdisciplinary Research (UK). September, 2021.
  • "Pablo Picasso and Spanish Art." CHSS Diversity and Inclusion. Sam Houston State University. September, 2021.
  • "Early Cinema, Transgression and Heterogeneity in Picasso's Cubism." VI Congreso Internacional de Historia, Arte y Literatura en el Cine en Español y en Portugués (CIHALCEP). Universidad de Salamanca (Spain). June, 2021.
  • "Indexicality in the Digital Repository of the Online Picasso Project (OPP)." Critical Digital Art History: Interface and Data Politics in Exhibitions, Museums, and Collections. The Association For Art History, London, (UK). April, 2021.
  • "The Devouring Eye (I) of Pablo Picasso." 63rd Annual Conference of the Western Social Science Association. April, 2021.
  • "Teaching Spanish Culture Online: Strategies and Solutions for Active Learning." 8th Universality of Global Education Conference. Sam Houston State University. March, 2021.
  • "Pablo Picasso's Poetry: A Transgressive View of Language." XXVII Congreso Internacional de Literatura y Estudios Hispánicos (CILH). Lockhaven University. March, 2021.
  • "Marginalization, Structural Certainty and Resilience in Pablo Picasso." Cultural Constructions. University of Texas at Arlington. March, 2021.
  • "The Crucial Role of Diversity in Pablo Picasso's African Period." 17th Annual Diversity Leadership Conference. Sam Houston State University. February, 2021.
  • "Decay As An Aesthetic Impasse For New Creation In Pablo Picasso." The Aesthetics of Decay: Creative Modes of Destruction. London Centre for Interdisciplinary Research (UK). February, 2021.
  • "Conflict and Confrontation in Pablo Picasso’s Still Lifes." 2º Congreso Internacional Virtual de Artes en la Educación (CIVAE). Universidad de Valladolid (Spain). October, 2020.
  • "In Picasso's Shoes: Promoting SEL Through the Online Picasso Project Platform." Digital Education Summit 20. Sam Houston State University. September, 2020.
  • "Achieving Productive Online Learning Through Project-Oriented, Self-Reflective Activities." SHSU Teaching & Learning Conference 2020. Sam Houston State University. August, 2020.
  • "Using Computer Vision to Identify Graphic Elements in Picasso’s Poetry." With Luis Meneses. Digital Humanities 2020.. University of Ottawa and Carleton University (Canada). July, 2020.
  • "Artistic Reciprocities: Dora/Pablo – Frida/Diego." With Debra D. Andrist. 62nd Annual Conference of the Western Social Science Association. Portland. April, 2020.
  • "Deconstructing Pedagogic Strategies." First Global Web Conference for University Professors and Researchers. Scholas. April, 2020.
  • "Approaching the Internet’s Language Diversity Problem." 16th Annual Diversity Leadership Conference. Sam Houston State University. February, 2020.
  • "Bridging the Language Divide: Enriching Students' CommUNITY Experience on the Internet." Universality of Global Education Conference. Sam Houston State University. February, 2020.
  • "Hispanic Culture in a Collaborative Learner-Centric Digital Environment." Digital Education Summit 19. Sam Houston State University. September, 2019.
  • "Exploring the Correlations between the Graphic Elements in Picasso's Poetry." With Luis Meneses and José Calvo Tello. The Association for Computers and the Humanities (ACH) Pittsburgh Marriott City Center, Pittsburgh. July, 2019.
  • "A Thematic Classification of Picasso's Poetry Based on Conceptual Categorization." With Luis Meneses. Société Canadienne des Humanités Numériques / Canadian Society for Digital Humanities Conference (CSDH). University of British Columbia (Canada). June, 2019.
  • "Critical Thinking Skills and Intercultural Competence." Language Learning and Teaching Workshops Series. Sam Houston State University. April, 2019.
  • "The Picasso Project: A New Paradigm for Teaching the Humanities." 72nd Annual Convention of the Texas Community College Teachers Association, Humanities session. Westin Galleria and Westin Oaks Houston at the Galleria, Houston. March, 2019.
  • "Language Loss and the Ethnic Identity of Minorities." With Ryan Dux and Maria Hasler-Barker. 15th Annual Diversity Leadership Conference. Sam Houston State University. February, 2019.
  • "Artistic Identity at Crossroads of All Sorts." With Debra D. Andrist. South Central Modern Language Association, San Antonio, October, 2018.
  • "Encoding the Graphic Elements in Picasso's Poetry." With Luis Meneses. 18th Annual Conference and Members Meeting of the Text Encoding Initiative Consortium (TEI). University of Tokyo, Tokyo (Japan). September, 2018.
  • "Effective Course Design & Its Impact on Improving Student Motivation." With Jennifer Didier and Nibert Saltibus. SHSU Teaching & Learning Conference 2018. Sam Houston State University. August, 2018.
  • "Distinctions between Conceptual Domains in the Bilingual Poetry of Pablo Picasso." With Luis Meneses. Digital Humanities 2018. Mexico City (Mexico). June, 2018.
  • "Picasso, el Teatro y la Danza: Pintura en Movimiento." Centro de Documentación de las Artes Escénicas de Andalucía, Sevilla (Spain). June, 2018.
  • "Adjoined Conceptual Domains in the Bilingual Poetry of Pablo Picasso." With Luis Meneses. Société Canadienne des Humanités Numériques / Canadian Society for Digital Humanities Conference (CSDH). University of Regina (Canada), May, 2018.
  • "Representation of the Absent Object: Pictorial Mysticism in El Greco and Pablo Picasso." With Debra D. Andrist. 60th Annual Conference of the Western Social Science Association, San Antonio. April, 2018.
  • "The Picasso Project: From Digital Resource To Online Instruction Tool." Digital Education Summit 18. Sam Houston State University. January, 2018.
  • "Visual Text: Encoding Challenges in Picasso’s Poetry." With Luis Meneses. 17th Annual Conference and Members Meeting of the Text Encoding Initiative Consortium (TEI). University of Victoria, B.C. (Canada). November, 2017
  • "Semantic Domains in Picasso’s Poetry." With Luis Meneses. Digital Humanities 2017. McGill University and l'Université de Montréal (Canada). August, 2017.
  • "A Computational Approach to Picasso’s Conceptual World Through His Writings." With Luis Meneses. Congreso de Lengua, Literatura y Traducción “liLETRAd”. Universidad de Sevilla (Spain). July, 2017.
  • "Pablo Picasso: Tendiendo Puentes entre Múltiples Lenguas." Congreso de Lengua, Literatura y Traducción “liLETRAd”. Universidad de Sevilla (Spain). July, 2017.
  • "Pablo Picasso's Gernika: The Massacre of the Innocents." Facultad de Letras. Universidad de Castilla-La Mancha, Ciudad Real (Spain). June, 2017.
  • "The Bombing of Gernika: April 26, 1937." College of Humanities & Social Sciences. Sam Houston State University. April, 2017.
  • "Identity Projection and the Feminine Other in Pablo Picasso." 59th Annual Conference of the Western Social Science Association, San Francisco. April, 2017.
  • "El uso de la Escritura en la Pintura de Picasso." Investigación en la Enseñanza de la Escritura / Research on Writing Teaching (IEE). Universidad de Granada (Spain). March, 2017.
  • "Pablo Picasso's Response to the Spanish Civil War." Hispanic Heritage Month. Sam Houston State University. October, 2016.
  • "From Jackendoff's Linear Grammar to Picasso's Surrealist Poetry." Congreso de Lengua, Literatura y Traducción “liLETRAd”: “Símbolos, Lemas, Fantasía”. Universidad de Sevilla (Spain). July, 2016.
  • "Das Kolorit von Pablo Picasso: eine mögliche Verbindung zwischen Motiv und Farbe? (II)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). May, 2016.
  • "The Online Picasso Project: A Catalogue Raisonné for the Digital Era." Authentication in Art Congress. Louwman Museum, The Hague (The Netherlands). May, 2016.
  • "Online Picasso Project: Nueva Tecnología Digital en la Investigación de la Obra Picassiana." Museo Picasso, Málaga. Málaga (Spain). March, 2016.
  • "Modularidad Representacional en la Poesía Multilineal de Pablo Picasso." Fundamentos de Gramática. Universidad de Sevilla (Spain). March, 2016.
  • "Pablo Picasso Sculptures and the Arbitrariness of the Sign." Thirty-First Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2016
  • "El Online Picasso Project en el Marco del Proyecto de Catálogos Artísticos: Gnoseología, Epistemologías y Redes de Conocimiento." Departamento de Historia del Arte. Universidad de Málaga, Málaga (Spain). January, 2016.
  • "Das Kolorit von Pablo Picasso: eine mögliche Verbindung zwischen Motiv und Farbe? (I)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). November, 2015.
  • "The Fichtean Anstoß and Pablo Picasso's Poetry." Congreso de Lengua, Literatura y Traducción “liLETRAd”. Universidad de Sevilla (Spain). July, 2015.
  • "Picasso's German Dealers and Collectors: The Heinz Berggruen Collection." Nationalgalerie, Museum Berggruen, Staatlichen Museen zu Berlin. Berlin (Germany). May, 2015.
  • "El Lienzo 'La Niña de los Pies Descalzos' (1895) y su Proyección en la Obra Picassiana." Casa Museo Picasso. A Coruña (Spain). March, 2015.
  • "Seeing with Eyes Shut: Representations of Blindness in Pablo Picasso." Seventh Annual Medicine, Humanities, and Social Sciences Conference. Sam Houston State University. March, 2015.
  • "The Myth of Narcissus: Themes of Life and Death in Pablo Picasso and Salvador Dalí." Picasso/Dalí, Dalí/Picasso. The Dalí Museum in St. Petersburg. February, 2015.
  • "Forschungsansätze zum Kolorit von Pablo Picasso (II)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). January, 2015.
  • "Efectos de la Primera Guerra Mundial en el Cubismo Tardío de Pablo Picasso." Jornadas sobre la 1ª Guerra Mundial. Universidad de Sevilla (Spain). November, 2014.
  • "Forschungsansätze zum Kolorit von Pablo Picasso (I)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). October, November, 2014.
  • "Women as Forces of Nature in Pablo Picasso's Works from the 1920s and 1930s." South Central Modern Languages Association. Austin, TX. October, 2014.
  • "The Picasso Project Experience in Managing Collections and Archives." Recovering the U.S. Hispanic Literary Heritage Project Prensa, Latinidad y Legado: Spanish Language Press and Print Culture. Syracuse University. October, 2014.
  • "From Theme to Form: Picasso's Cubist Revolution." Facultad de Letras. Universidad de Castilla-La Mancha, Ciudad Real (Spain). June, 2014.
  • "Pablo Picasso and the Truth of Greek Art." Sixth Annual International Conference on Mediterranean Studies. Athens Institute for Education and Research, Athens (Greece). April, 2014.
  • "The Art of Deformation: Pablo Picasso and Ancient Mexico." 56th Annual Conference of the Western Social Science Association. Albuquerque. April, 2014.
  • "Online Picasso Project y la Difusión del Patrimonio Cultural." Seminario de Gestión y Difusión del Patrimonio Cultural Local. Casa de la Provincia & Universidad Pablo de Olavide, Sevilla (Spain). March, 2014.
  • "Dissociative Identity Disorder: Picasso's Portraits of Dora Maar and the Fragmentation of the Self." Sixth Annual Medicine, Humanities, and Social Sciences Conference. Sam Houston State University. February, 2014.
  • "Pablo Picasso als Kolorist (II)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). January, 2014.
  • "Picasso's Use of Color: Painting in Code." With Elisabeth Trux. Twenty-Ninth Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2014
  • "Pablo Picasso als Kolorist (I)." With Elisabeth Trux. Seminar für Kunstgeschichte. Heinrich-Heine-Universität, Düsseldorf (Germany). October, November, 2013.
  • "The Poet and His “Más/caras": The Poetic Language of Pablo Picasso." South Central Modern Languages Association. New Orleans. October, 2013.
  • "Retos a la Investigación Académica en Internet: La Experiencia del Online Picasso Project." III Workshop Internacional de Historia del Arte Digital: Historia del Arte, computación y medios digitales en España. Universidad de Málaga & Fundación Picasso Málaga, Casa Natal (Spain). June, 2013.
  • "Pablo Picasso and the Consequences of War." Facultad de Letras. Universidad de Castilla-La Mancha, Ciudad Real (Spain). June, 2013.
  • "Semantic Mysteries and Syntactic Artifacts in Pablo Picasso's Writings." Poetry Versus Philosophy: Life, Artifact & Theory. Texas A&M University. April, 2013.
  • "Process and Representation in Pablo Picasso." 10th Annual Southeast Coastal Conference on Languages & Literatures. Georgia Southern University, April, 2013.
  • "El Online Picasso Project: Arte y Nuevas Tecnologías Digitales." Departamento de Historia del Arte. Universidad de Málaga, Málaga (Spain). March, 2013.
  • "On Friendly Terms with the Nobility [of Art]: Diego Velásquez, Pablo Picasso and the Affirmation of the Artist." SCSECS 2013: Frontiers Of Friendship Close And Distant. University of Texas, Austin. February, 2013.
  • "Pablo Picasso: Artist of the 21st Century." CHSS Fourth Annual Research Conference. Sam Houston State University. February, 2013.
  • "The Anatomy of Art: From Leonardo da Vinci to Pablo Picasso." The Fifth Annual Medicine and the Humanities and Social Sciences Conference. Sam Houston State University.February, 2013.
  • "Inflections of Reality: From Les Demoiselles d'Avignon to Guernica." International Journal of Arts and Sciences (IJAS) Conference. Washington Rome Center, Rome (Italy). October, 2012.
  • "Pablo Picasso, the Baroque & the Power of the Eye (I)." College of Humanities & Social Sciences and Department of Foreign Languages. Sam Houston State University. September, 2012.
  • "Les Demoiselles d'Avignon: Staging Modernism." INTS Seminar: Urbanism and Modernism. Texas A&M University. September, 2012.
  • "A Computational Approach to Pablo Picasso." CHSS Third Annual Resarch Conference. Sam Houston State University. April, 2012.
  • "Plenary Presentation: Roberto Echavarren." Comparative Perspectives: Poetic Discourse on Trans-Creation and Re-Creation in the Baroque/Neobaroque. Texas A&M University. April, 2012
  • "Computational Approaches to a Catalogue Raisonné of Pablo Picasso." Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. March, 2012.
  • "El Exorcismo del Lenguaje en Pablo Picasso." In Wort und Bild: Picassos literarisches Werk. Universität Zürich & Kunsthaus Zürich (Switzerland). January, 2011.
  • "Pablo Picasso and Visual Poetry." Conference of The International Journal of Arts & Sciences Conference. The University of Washington Rome Center (Italy). November, 2010.
  • "Después de Herrera y Reissig y Lezama Lima: Poesía del Lenguaje Hispanoamericana." The Languages of Resistance. First Annual Texas A&M Department of Hispanic Studies Graduate Student Symposium: In homage of centenaries of Julio Herrera y Reissig (1875-1910), Miguel Hernández (1910-1942) and José Lezama Lima (1910-1976). Texas A&M University. November, 2010.
  • "Death and the Mask in Pablo Picasso." CHSS Faculty Colloquia. Sam Houston State University. October, 2010.
  • "The Multilineal Poetry of Pablo Picasso." Picasso, Poetik und Poesie. Universität Siegen (Germany). April, 2010.
  • "Pablo Picasso, the Writer." College of Humanities and Social Scences. First Annual Resarch Conference. Sam Houston State University. April, 2010.
  • "The Syntax of Silence in Pablo Picasso." Twenty-Fifth Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2010.
  • "The Online Picasso Project and Computer Science." Computer Science Department. Sam Houston State University. November, 2009.
  • "Pablo Picasso y la Escritura." Cinco Jueves con Picasso. Museo del Grabado Español Contemporáneo. Organized by the Decanato de Humanidades, Universidad de Málaga (Spain). March, 2009.
  • "La Sintaxis de la Carne: Pablo Picasso and Marie-Thérese Walter." Centre Picasso d'Orta and Galería Mayoral. Barcelona (Spain). October, 2008.
  • "Online Picasso Project: Una nueva perspectiva sobre la obra de Pablo Ruiz Picasso." Department of Art, Design and Architecture. Universidad Iberoamericana, Puebla (Mexico). June, 2008.
  • "Exploring the Biography and Artworks of Picasso with Interactive Calendars and Timelines." With Luis Meneses and Richard Furuta. Digital Humanities 2008. University of Oulu (Finland). June, 2008.
  • "Picasso’s Poetry: The Case of a Bilingual Concordance." With Luis Meneses, Carlos Monroy and Richard Furuta. Digital Humanities 2008. University of Oulu (Finland). June, 2008.
  • "The Multifaceted Career of Pablo Picasso as Illustrated through the Online Picasso Project." Institute of Hispanic Culture - Houston. April, 2008.
  • "The Multilineal Poetry of Pablo Picasso." Twenty-Third meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2008.
  • "Poesía del lenguaje en Eduardo Espina. Eduardo Espina y la Poesía de la Dificultad." Conference of Hispanic & Spanish American Poetry. University of Virginia. November, 2007.
  • "Viewing Texts: An Art-Centered Representation of Picasso’s Writings." With Neal Audenaert, Unmil Karadkar, Richard Furuta and Sarah Tonner. Digital Humanities 2007. University of Illinois, Urbana-Champaign. June, 2007.
  • "Relationship Mapping for Art Education and Research." With Unmil Karadkar, Neal Audenaert, Adam Mikeal, Scott Phillips, Alexey Maslov, Richard Furuta and Marlo Nordt. Digital Humanities 2007. University of Illinois, Urbana-Champaign. June, 2007.
  • "Semantic Onomatopoieia in Espina’s El Cutis Patrio." The Poetry of the Americas. Texas A&M University. April, 2007.
  • "The Online Picasso Project as an Instructional Tool." Western Carolina University. March, 2007.
  • "Simultaneity, Synchronicity and Syntax." With Eduardo Espina. Modern Language Association Convention. Philadelphia. December, 2006.
  • "Jackendoff's Parallel Structure, Stein's Language Poetry & Picasso's Cubism." Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. April, 2006.
  • "Cubism, Language Poetry & Syntactic Con/figuration." Twenty-First Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2006
  • "The New Return to Classicism in Pablo Picasso." Fall 2005 Faculty Presentations. Texas A&M University Santa Chiara Center, Castiglion Fiorentino (Italy). November, 2005.
  • "From Biomorphs to Surface: The Antecedents of Matt Lamb." Matt Lamb: Explosion of Color. The Warren Gallery, The Gresham Hotel, Dublin (Ireland). October, 2005.
  • "The Creation of a Picasso Circle." First Picasso Encounter in Horta. Horta de Sant Joan (Spain). September, 2005.
  • "An Interactive Digital Art Catalogue for the Humanities: The Online Picasso Project." Third International Conference on New Directions in the Humanities. Cambridge University (UK). August, 2005.
  • "Vision, Grammar and the Phases of Cubism." Hispanic Linguistics Colloquium. Ohio State University. May, 2005.
  • "Pablo Picasso y Pablo Neruda: Sólo la Muerte." Simposio sobre Pablo Neruda. Texas A&M University. April, 2005.
  • "Visual Syntax in the Iconography of Don Quixote." Don Quixote Illustrated: Textual Images and Visual Readings. Texas A&M University, March, 2005.
  • "Matt Lamb and Abstract Expressionism." Matt Lamb Opening. Rima Fine Art, Scottsdale, Arizona. February, 2005.
  • "Matt Lamb and the Carnevale Masks of Venice." Matt Lamb and the Carnevale Masks of Venice. Exhibition at Chiostro di Sant'Apollonia, Venice (Italy). Curated and directed by Dr. Enrique Mallen. October, 2004.
  • "The Online Lamb Project and its Picassian Origins." Centre Picasso d'Horta. Horta de Sant Joan (Spain). May, 2004.
  • "La Distensión del Yo en Matt Lamb, Joan Miró y Pablo Picasso." Lamb Encounters Miró. Centre Miró de Mont-roig. Mont-roig (Spain). May, 2004.
  • "A Dynamic Picasso Catalogue: The Online Picasso Project Experience." With Carlos Monroy & Richard Furuta. Document Engineering’04. Milwaukee, Wisconsin. October 28–30, 2004
  • "A German('s) Grammar of Cubism." (Keynote) Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. April, 2004.
  • "The Online Picasso Project in the Hispanic Studies Department." Spain Week. Texas A&M University. March, 2004.
  • "The Internet as a Research Platform: The Online Picasso Project and the Online Lamb Project." The Importance of Modern Art for the Promotion of European Integration. Europäische Akademie Otzenhausen (Germany). March, 2004.
  • "Matt Lamb in the Context of Modern Art." The Importance of Modern Art for the Promotion of European Integration. Europäische Akademie Otzenhausen (Germany). March, 2004.
  • "Electronic Catalogue Raisonnés of Old and Modern Artists: Pablo Picasso and Matt Lamb." Museumswelten 2004. Saarmesse. Saarbrücken (Germany). February 2004.
  • "The Beginnings of Cubism." Introduction to Mr. Elias Gastón, Director of Centre Picasso d'Orta. The Spanish Influence on Cubism: Picasso's Sojourn in Horta d'Ebre. Texas A&M University. October, 2003.
  • "Fuzzy Categorization & Pictorial Metaphors in Pablo Picasso's Synthetic Cubism." 5th International Conference on Researching And Applying Metaphor. Université Paris 13, Villetaneuse (France). September, 2003.
  • "Texts, Images, Knowledge: Visualizing Cervantes and Picasso." With Carlos Monroy, Richard Furuta & Eduardo Urbina. Visual Knowledges. Institute for Advanced Studies in the Humanities, University of Edinburgh (UK). September 2003
  • "Pablo Picasso in Vincenc Kramar's Private Collection." Hotel Villa Condulmer. Venice (Italy). August, 2003
  • "Visualizing and Exploring Picasso's World." With Carlos Monroy and Richard Furuta. The Third ACM+IEEE Joint Conference on Digital Libraries. Rice University. May, 2003
  • "Pablo Picasso: Death of the Matador." Pablo Ruiz Picasso: The Eternal Spaniard. Thirtieth Anniversary of the Artist's Death. Texas A&M University. April, 2003.
  • "Kahnweiler's German Approach to Semiosis in Analytic Cubism." Eighteenth Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2003.
  • "The Embodiment of the Pictorial Sign: Pablo Picasso’s Early Cubism." X International Congress of the Deutsche Gesellschaft Für Semiotik (DGS). Universität Kassel (Germany). July, 2002.
  • "Pablo Picasso: The Dream & Lie of an Exile." Centers & Peripheries in the Contemporary Hispanic World. Texas A&M University. April 2002.
  • "Attributive Adjective Configurations in Germanic and Romance." First United Kingdom Symposium on Hispanic Linguistics. University of Surrey, Guilford (UK). April, 2002.
  • "Online Picasso Project: Propuesta de Catalogación y Difusión Electrónicas de la Obra de Pablo Picasso." Centre Picasso d'Horta. Horta de Sant Joan (Spain). November, 2001.
  • "Online Picasso Project: Research & Classroom Implementation." South Central Modern Language Association. Tulsa, OK. November, 2001.
  • "Transparencia y Doble Refracción en la Obra de Pablo Picasso y Eduardo Espina." Universos Discursivos: Congreso Internacional en Homenaje a Noe Jitrik. Benemérita Universidad Autónoma de Puebla & Universidad Nacional Autónoma de México. June, 2001
  • "Definiteness & Indefineteness in Relative Clauses." V Hispanic Linguistics Symposium. University of Illinois-Urbana-Champaign. October, 2001.
  • "Listening Proficiency in Spanish: Teaching For Receptive Skills." The Richard Stockton College of New Jersey. July, 2001.
  • "A Minimalist Approach to Picasso's Visual Grammar." Sixteenth Meeting of The Semiotic Circle of California. University of California-Berkeley. January, 2001.
  • "Toward a Unified Analysis of Prenominal Adjectives." IV Hispanic Linguistics Symposium. With Javier Gutierrez-Rexach. Indiana University-Bloomington. November, 2000.
  • "Multiple NP-Shell & Adjectival Modifiers in DP." X Colloquium on Generative Grammar. Universidad de Alcalá (Spain). April, 2000.
  • "Non-thematic Adjectives in Germanic & Romance." Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. April, 2000.
  • "On the Distribution of Restrictive versus Nonrestrictive Modifiers." XXX Annual Linguistic Symposium on Romance Languages. University of Florida-Gainesville. February, 2000.
  • "Adjectival Noun Modifiers in French & Spanish." III Hispanic Linguistics Symposium. Georgetown University. October, 1999.
  • "A Minimalist Perspective on Wackernagel's Law." XXIX Annual Linguistic Symposium on Romance Languages. University of Michigan-Ann Arbor. April, 1999.
  • "Null Expletives & Agr-In-Comp in Germanic." Germanic Linguistic Association Conference. University of Texas-Austin. April, 1999.
  • "Predicate Inversion in Spanish." II Hispanic Linguistics Symposium. Ohio State University. October, 1998.
  • "Predicate Phrase & NP-licensing inside Noun Phrases in German." Germanic Linguistic Association Conference. Ohio State University. April, 1998.
  • "Con Penetración Amorosa: Pablo Picasso & Vicente Aleixandre." Simposio Federico Garcia Lorca - Vicence Aleixandre. Texas A&M University. April, 1998.
  • "Pablo Picasso: Life & Art." Department of Spanish & Italian. Mount Holyoke College. January, 1998
  • "Constraints on the Prenominal Sphere in DP in Germanic." West Coast Conference on Formal Linguistics XVI. The University of Washington, Seattle. February, 1997.
  • "Negative Lexicalization & Full Feature Specification." XXVII Annual Linguistic Symposium on Romance Languages. University of California-Irvine. February, 1997.
  • "Galician & Spanish: A Common Heritage." Pilgrimage to Galicia: the Millennia in Celtic Spain from Santiago de Compostela to the Life & Works of Alfredo. Conde. Texas A&M University. November, 1996
  • "Genitive Case Matching in Noun Phrases in German." Germanic Linguistic Association Conference. University of Wisconsin-Madison. April, 1996.
  • "Nominal Genitive Arguments & Adjective Placement in German." Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. April, 1996.
  • "German Attributive Adjectives & Case Matching." Northwestern Linguistics Conference. University of Washington-Seattle. March 1996.
  • "Attributive Adjectives & Case Feature Percolation in Germanic & Romance." Southeastern Conference on Linguistics. Texas A&M University. March 1996.
  • "Principles & Parameters of Language: Comparing Spanish & German." Modern & Classical Languages Department Talk. Texas A&M University. February, 1996.
  • "Attributive & Predicative Adjectives in Germanic & Romance." XXV Annual Linguistic Symposium on Romance Languages. University of Washington-Seattle. March, 1995.
  • "Comparative Syntax of Germanic & Romance." Dept. of Foreign Languages & Literatures. Louisiana State University. February, 1995.
  • "Language Instruction & Language Acquisition: A Communicative Method." Dept. of Foreign Languages & Literatures. University of Memphis. January, 1995.
  • "Language Acquisition & the Natural Approach." Dept. of Spanish. Emory University. January, 1995.
  • "The Role of Agreement in Spanish, Icelandic & German." V Annual Michigan-Berkeley Germanic Linguistics Roundtable. University of California-Berkeley. April, 1994.
  • "El Caso y la Legitimación de Sujeto Nulo en Español, Islandés y Alemán." I Mesa Redonda de Lingüística Española. Universidad Autónoma Metropolitana-Iztapalapa. Mexico, D.F. (Mexico). March, 1994.
  • "Language Acquisition & Parameter Setting." Dept. of Spanish & Portuguese. University of Kansas-Lawrence. February, 1994.
  • "Nominative Case Assignment in German & Spanish." IV Annual Michigan-Berkeley Germanic Linguistics Roundtable. University of Michigan-Ann Arbor. April, 1993.
  • "Blocking Effects of A-Spec,IP in German & Spanish." XXIII Annual Linguistic Symposium on Romance Languages. Northern Illinois University. April, 1993.
  • "Verb Movement, ECP & Case Assignment in German & Spanish: A Common Trigger." Georgetown University Round Table on Languages & Linguistics. Georgetown University. March, 1993.
  • "Nominative Case & Movement in German & Spanish." Linguistics Program. University of Florida-Gainesville. March, 1993.
  • "The Argument Status of Adjoined Positions in Spanish." Southeastern Conference on Linguistics. University of Florida-Gainesville. April, 1992.
  • "Adquisición de Segunda Lengua y Contexto Lingüístico." Dept. Spanish & Classics. University of California-Davis. January, 1992.
  • "Subject Topicalization in Spanish." Dept. Spanish & Portuguese. Ohio State University. December, 1991.
  • "Parametrization of Government." XVII Annual Minnesota Conference on Language & Linguistics. University of Minnesota, Minneapolis. October, 1991.
  • "A Communicative Account of Spanish Preverbal Subjects." XX Annual University of Wisconsin-Milwaukee Linguistic Symposium. University of Wisconsin, Milwaukee. April, 1991.
  • "Infinitival Relatives & Anaphoric Agr." I Coloquio de Gramática Generativa. Universidad Autónoma de Madrid (UAM), Madrid (Spain). March, 1991.
  • "Estudio Comparativo de la Frase Nominal." II Coloquio Mauricio Swadesh. Instituto de Investigaciones Antropológicas/Universidad Nacional de México (UNAM). México D.F., (México). October, 1990.
  • "Lexical Identification: Evidence from Spanish." XVI Annual Minnesota Conference on Language & Linguistics. University of Minnesota, Minneapolis. October, 1990.
  • "Secondary Predicate Constructions in Spanish." Linguistics Program. University of Florida-Gainesville. October, 1990.
  • "Wh-Movement of Secondary Predicates." International Linguistic Association Annual Meeting, Columbia University, New York. March, 1990.
  • "Evidence for Quantifier Phrases." Symposium on Spanish Linguistics. University of Illinois-Chicago. Chicago, November, 1988.
  • "On Wh-movement from Spanish NP: A Redefinition of Minimality." XIV Annual Minnesota Conference on Language & Linguistics. University of Minnesota, Minneapolis. October, 1988.
  • "Lexical Projections of Nouns & the Minimality Condition." Spring Linguistics Conference. Cornell University. April, 1988.
    •


SELECTED CITATIONS IN PRINT
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  • Haldemann, Anita, ed. 2023. Jasper Johns - the Artist as Collector: From Cézanne to de Kooning (Kunstmuseum Basel, 30 September, 2023 - 4 Februar, 2024). Munich: Hirmer Publishers.
  • Sotheby's. 2023. Modern Evening Auction. New York. May 16.
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  • Force, Christel H. 2023. "Picassos at ‘Brummer Frères—Curiosités’ and Beyond: From Frank Burty Haviland’s Collection to John Quinn’s." In The Brummer Galleries, Paris and New York: Defining Taste from Antiquities to the Avant-Garde. Volume: 17. Ed. by Yaëlle Biro, Christine E. Brennan, and Christel H. Force.
  • Fernández, Victor. 2023. "Cuando Picasso vendió un dibujo por cinco pesetas y una cena." La Razón. January 6.
  • Brocard, Yves. 2022. "Picasso et sa femme": Eva Gouel, cette inconnue effacée. Saint-Ouen: Les Éditions du Net.
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  • Pino, Mirian. 2012. "Nuevas poéticas fuera de lugar a principio del nuevo milenio: el neobarroco en el Río de la Plata." Revista de Crítica Literaria Latinoamericana, Año 38, No. 76, pp. 251-270.
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  • Baldomá, Gabriela, et al. 2008. Papeles reencontrados. Conservación y catalogación de la colección de dibujos del Museo Castagnino+macro. Ediciones Castagnino+macro.
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  • Gilson, Stephen & Elizabeth DePoy. 2007. "Da Vinci’s Ill Fated Design Legacy: Homogenization and Standardization". The Internationaal Journal of the Humanities. Volume 5. Common Ground. pp. 1-11.
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  • Theil, Harald. 2006. Bild und Gefäß: Studien zu den Gefäßkeramiken Pablo Picassos. Institut für Europäische Kunstgeschichte. Ruprecht-Karls-Universität Heidelberg, Germany.
  • Vejdovsky, Boris. 2006. "Wounded Bodies and Torn Canvas". The Seeming and the Seen: Essays in Modern Visual and Literary Culture. ed. by Beverly Maeder. New York: Peter Lang.
  • Norat, Gisela. 2006. "Expressions of National Crisis: Diamela Eltit's E. Luminata and Pablo Picasso's Guernica". Studies in 20th & 21st Century Literature. Volume 30, Issue 2 1-26.
  • Schuchardt, Beatrice. 2006. "Schreiben auf der Grenze: Postkoloniale Geschichtsbilder bei Assia Djebar". Europäische Geschichtsdarstellungen. Vol. 10. Köln: Böhlau Verlag.
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  • Company Company, Concepción. 2006 Sintaxis histórica de la lengua española, Volume 2. México, DF: Fondo de Cultura Economica.
  • Chiavola Birnbaum, Lucia. 2005. She Is Everywhere!: An Anthology of Writing in Womanist/Feminist, Volume 1. iUniverse, Inc.
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  • Nguyen, Tuong Hung. 2004. The Structure of The Vietnamese Noun Phrase.. Ph.D. Dissertation. Boston University.
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  • Kudela, Katy. 2004. Pablo Picasso. Capstone Press.
  • Cros Ferrándiz, Jordi. 2004. La Guía Amarilla de Internet. Barcelona: Inforbook.
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  • Olivera-Williams, María Rosa. 2003. "De la nada surge la palabra poética". Guaraguao (Asociación Centro de Estudios y Cooperación Para América Latina), Año 7, No. 17, Especial Lenguas Americanas (Winter), pp. 227-229.
  • Girbau, Núria Martí. 2003. "Partitives: One or Two Nouns?." XXIX Incontro di Grammatica Generativa. Urbino, 13-15 February.
  • Johnson, Kristin and Rupert Perrin. 2003. Ordinary Miracles. PublishAmerica.
  • Thacker, Mike, Mónica Morcillo Laiz & Fernando Pérez Cos. 2003. ¡Ponte al día! Hodder & Stoughton.
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  • Vauthier, Bénédicte. 2003. "Regards croisés. Peintres dans leur(s) ateliers, femmes dans leur appartement". Expressions maghrebines (CICLIM).
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  • Gilbers, Dicky & Maartje Schreuder. 2003. "Language and Music in Optimality Theory I." Re Ud Er. Ms. University of Groningen, The Netherlands.
  • Rubin, Edward J. 2003. The Structure of Modifiers. Oxford University Press.
  • Abra, David. 2003. Is Lighting Design Art?. Royal Welsh College Music & Drama. Dissertation.
  • Russell, Martin. 2002. Picasso’s War: The Destruction of Guernica and the Masterpiece that Changed the World. New York:Dutton Publishing.
  • Scarborough, Kate. 2002. Artists in Their Time: Pablo Picasso. New York: Franklin Watts.
  • Abraham, Werner & C. Jan-Wouter Zwart, eds. 2002. Issues in Formal German(ic) Typology. John Benjamins. 2002. Linguist List 13.2117.
  • Guerrero, Luis. 2002. “Picasso Estaría Fascinado con Internet”. La Opinión de Málaga. February, 2002.
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  • Lipski, John M. 2001. "La Lingüística Hispánica en los Estados Unidos: Logros y Retos para el Siglo XXI." Invited Inaugural Lecture, Inauguration of Hispanic Cultural Center, Daegua, South Korea, June 24.
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  • Habarta, Gerhard. 2000. Handbuch Picasso. Seebenstein: Libri Books.
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SELECTED INSTITUTIONAL REFERENCES
  • Musée Picasso, Paris
  • Museu Picasso, Barcelona
  • Museo Picasso Málaga
  • Fundación Picasso (Museo Casa Natal)
  • Casa Museo Picasso, A Coruña
  • Casa-Museo Emilia Pardo Bazán, A Coruña
  • The Museum of Modern Art, New York
  • The Metropolitan Museum of Art, New York
  • National Gallery of Art, Washington, D.C.
  • Smithsonian American Art Museum
  • The Art Institute of Chicago
  • The Museum of Fine Arts, Houston
  • Museum of Fine Arts, Boston
  • McNay Art Museum, San Antonio
  • The Detroit Institute of Arts
  • The Cleveland Museum of Art
  • Denver Art Museum
  • Barnes Foundation, Philadelphia
  • The Dalí Museum in St. Petersburg
  • Frick Art and Historical Center, Pittsburgh
  • Albright-Knox Art Gallery
  • Frances Lehman Loeb Art Center, Vassar College
  • International Art and Antique Loss Register Limited ('The Art Loss Register'), London
  • Nationalgalerie. Museum Berggruen. Staatliche Museen zu Berlin - Preußischer Kulturbesitz
  • Kunstsammlung Nordrhein-Westfalen, Düsseldorf
  • Pinakothek der Moderne, München
  • Kunsthalle Bremen
  • Lille Métropole Musée d'art moderne, d'art contemporain et d'art brut
  • Centre Georges Pompidou
  • Musée Granet, Aix-en-Provence
  • Musée de Montmartre
  • Musée Ariana, Musée Suisse de la Céramique et du Verre
  • Musée d'Art Moderne Grand Duc Jean, Luxembourg
  • Tate Modern, Britain
  • The National Gallery, London
  • National Museums Liverpool
  • Kunstmuseum Basel
  • Abelló Collection, Madrid
  • Musée des beaux-arts de Montréal
  • Musée des Beaux-arts de l’Ontario
  • The Pushkin Museum of Fine Arts, Moscow
  • Nagasaki Prefectural Art Museum
  • Ohara Museum of Art, Okayama
  • Kuboso Museum of Art, Izumi
  • The Noguchi Museum
  • Aichi Prefectural Museum of Art.
  • Musée d'Ethnographie de Genève
  • Musée d'art et d'histoire, Genève
  • Wallraf-Richartz-Museum & Fondation Corboud
  • Stedelijk Museum Alkmaar
  • Triton Foundation
  • Heinrich-Heine-Universität Düsseldorf
  • Universität Münster
  • Universität Hamburg
  • Universität Bamberg
  • Universität zu Köln
  • Ludwig Maximilians Universität München
  • Karlsruhe Institute of Technology
  • Johann Wolfgang Goethe-Universität, Frankfurt am Main
  • The Hebrew University of Jerusalem
  • New York University
  • University of California, Berkeley
  • University of Pennsylvania
  • Harvard Graduate School of Education
  • Grand Valley State University
  • University of New Mexico
  • University of St. Gallen, Switzerland
  • University of Manchester
  • University of the Arts, Philadelphia
  • Simon Fraser University
  • The College of Idaho
  • Universidad de Vigo
  • Universidad de Málaga
  • Universidad de Zaragoza
  • Institute for the International Education of Students, Barcelona
  • Arcadia Center for Catalan, Spanish and Mediterranean Studies
  • Université Paris-Sorbonne
  • Université Sorbonne Nouvelle - Paris 3
  • Université de Bourgogne, Dijon
  • Northumbria University
  • Université de Montréal
  • Bath Spa University
  • Catholic University of São Paulo
  • Upper Canada College, Toronto
  • University for the Creative Arts, Farnham
  • University of Toronto
  • Christie's
  • Sotheby's
  • Artcurial
  • Tiroche Auction House
  • Leclere - Maison de Ventes
  • Gagosian Gallery, New York
  • Helly Nahmad Gallery
  • Heather James Fine Art
  • Leslie Sacks Fine Art
  • Franklin Bowles Gallery
  • James Goodman Gallery
  • Lefevre Fine Art Limited
  • David Goldstein Fine Art
  • Michael Caden Gallery
  • Veritas Art Auctioneers
  • G. B. Tate & Sons Fine Art
  • Ledor Fine Art, Berkeley, CA
  • Art Insitute of Business and Antiques, Moscow
  • International Modern Art Foundation
  • Galerie Michael | Hanover & Ives Fine Art
  • Emily Friedman Fine Art
  • Walmsley Fine Art Advisory & Research
  • Sloan Fine Art LLC
  • Alpha Art Advisory Limited
  • Fine Art. Moderne et Contemporain, Paris
  • Heffel Fine Art Auction House, Toronto
  • Hobart Associates, Inc, San Francisco
  • Van Ham Kunstauktionen, Köln
  • Osher Lifelong Learning Institute
  • Hill Center For Women, McLean Hospital
  • Authentication in Art, The Hague
  • Bucerius Kunst Forum Hamburg
  • Stiftung Deutsches Zentrum Kulturgutverluste, berlin
  • Galleria Ristori, Albenga
  • ARTNews
  • El País
  • La Opinión de Málaga
  • La Opinión de A Coruña
  • The New York Times
  • Los Angeles Times
  • The Guardian
  • Die Welt
  • FBI
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